As symphonic prog metal goes this is definitely worthy of your attention.

Symphonic Sci-Fi Metal anyone? You gotta love these genre descriptions haven't you? The Sci-Fi relates to subject matter only though, and, considering it's a futuristic tale about the destruction of humanity, it definitely falls into the film noir spectrum habited by the likes of 'Bladerunner' or 'The Terminator' rather than a 'Star Wars' good versus evil, set in another galaxy romp. No, this is progressive metal of truly gothic proportions that abounds with atmospheric keyboards, drop-tuned Sabbath-esque guitars, vocals multi-tracked to choir-like proportions and plenty of male/female vocal interplay courtesy of Ölvin Tronstad, Cia Blackman and the golden-tonsiled Mats Levén, who's always good value. Despite the sombre story-line and the languid, almost military pace to most of the music, it's all rather captivating and actually proves to be a very compelling listen; and save for less in the way of operatic vocals, this album will be a real treat to those Therion fans that've been left scratching their heads in bewilderment at their recent 'Les Fleurs Du Mal' opus/travesty (delete as appropriate).

The performances from all involved – who include, amongst their number, members of Candlemass, Opeth and Evergrey – are top-notch throughout but special praise must go to Soilwork skinsman Dirk Verbeuren, whose intricate patterns and fills, and refreshing lack of double-paddle bass drum work, really sets this apart from your usual prog metal album. Swedish hot-shot guitarist Marcus Jidell ain't half bad either, contributing blistering solos to 'Enemy March', 'Queen Of Armageddon' and 'Defeat' that are spine-tinglingly good. It's no wonder then that he's played with the likes of Bruce Kulick.

Don't be put off by the less than inviting subject matter, this concept piece postively bristles with atmosphere and drama, and there's more than enough in the way of guitar wig-outs to keep you happy, not least on 'Fight Back', where crunching riffs help to create a defiant glimmer of hope in Carl Westholm's (he being Jupiter Society's main creative force) story; before eventual defeat and annihilation, which is nice!

Not a very cheery listen then, but as symphonic prog metal goes this is definitely worthy of your attention, and I guarantee you too will be enthralled by what you hear.

Alister Strachan